000			01798nam a22002177a 4500
999			_c33390 _d33390
022			_a 0003861X
040			_aBC-EPAU
041			_aeng
100			_aFINCH, Paul _eEdito
100			_aSLESSOR, Catherine _eManag edi
245			_aTransparency _bSauerbruch Hutton in Biberach _n1 vol
260			_aLondon _bEast Midlands Allied Press (EMAP) _c2003
300			_a90/8 p _bcouv.en coul , ill.en coul, fig _c30 cm
700			_aGREGORY, Rob _eAssistant edi
700			_aHARDAKER, Michal _eArt edi
773			_tThe Architectural review
942			_c02 _t1607 _uN° 1278/2003
994			_a16070438
500			_aISBN: 9770003861052
520			_bVIEW Grand Museum of Egypt; JOSEF Paul Kleihues at 70; Jencks campaigns for his new paradigm 17p VIEW FROM VIEW FROM BHUTAN By Bo Helliwell and Kim Smith 24 p DESIGN REVIEW Tree-house prototype CHRISTOF JANTZEN COMMENT Glass and transparency 30 p THEME: TRANSPARENCY Fort Worth Modern Art Museum, Texas, USA TADAO ANDO 32p Glass museum, Tacoma, Washington State, USA ARTHUR ERICKSON 40P WITH THOMAS COOK REED REINVALD ARCHITECTS Fashion shop, Tokyo, Japan HERZOG&DE MEURON 46 p Laboratories, Biberach, Germany SAUERBRUCH HUTTON ARCHITECTS 52p Offices, Bonn, Germany MURPHY/JAHN 58p Library , Tokyo, Japan FUMIO TOKI 64p Lighting warehouse, Ludenscheid, Germany SCHNEIDER+ SCHUMACHER 70p INTERIOR DESIGN Offices, Kensington London MOREYSMITH 74p HOUSE House, Garrison, New York, USA ADAM YARINSKY/ARO 77p PRODUCT REVIEW Transparency 81 p BOOKS Public places; glass state; sixteenth-century italian architecture: wood; digital mapping 88p DELIGHT Winning design at the Chelsea Flower Show CHRISTOPHER BRADLEY-HOLE 90P COVER Glass museum, Tacoma, USA ARTHUR ERICKSON 40p