| Sommaire |
Essay: Artist Engineer<br/>Guy Nordenson<br/><br/>L’Arc de Triomphe, Wrapped<br/>Christo and Jeanne-Claude / Mike Schlaich<br/><br/>Essay: L’Arc de Triomphe, Wrapped – The Structure<br/>Mike Schlaich and Anne Burghartz<br/><br/>The London Mastaba / The Mastaba<br/>Christo and Jeanne-Claude / Mike Schlaich<br/><br/>Essay: Feasibility Study for The Mastaba<br/>Yoshiyuki Hiraiwa<br/><br/>Everywhere The Edges (ETE)<br/>Rebecca Lazier, Janet Echelman / Sigrid Adriaenssens, Bill Baker<br/><br/>Dream Catcher<br/>Janet Echelman / Mark Sarkisian (SOM)<br/><br/>Essay: Creative Tension: How a Choreographer and an Engineer Innovate Together<br/>Sigrid Adriaenssens<br/><br/>Essay: Creative Construction: How Artists and Engineers Collaborate<br/>Mark Sarkisian, Bill Baker, and Alessandro Beghini<br/><br/>Benjamin Franklin Memorial<br/>Isamu Noguchi / Paul Weidlinger<br/><br/>Horace E. Dodge Fountain<br/>Isamu Noguchi and Shoji Sadao / Paul Weidlinger, Matthys Levy<br/><br/>Creature from Iddefjord<br/>Martin Puryear / Eker Design<br/><br/>Brick Sculpture for Storm King Art Center<br/>Martin Puryear / Rebecca Buntrock (Silman), John Ochsendorf<br/><br/>Essay: Engineering of a Brick Sculpture<br/>John Ochsendorf<br/><br/>Essay: Urban Landscapes: Zones of Destruction, Upturned Beams, Wetlands, and Façades<br/>Walter Hood<br/><br/>7<br/>Richard Serra / Leslie Robertson<br/><br/>Chicago Picasso<br/>Pablo Picasso / Fazlur Khan and Joseph Colaco (SOM)<br/><br/>Bust of Sylvette<br/>Pablo Picasso, Carl Nesjär / Weiskopf & Pickworth<br/><br/>Free Ride Home / Osaka<br/>Kenneth Snelson<br/><br/>Day’s End<br/>David Hammons / Guy Nordenson and Gina Morrow<br/><br/>Concrete Buildings<br/>Donald Judd / Robert Kirk<br/><br/>Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller)<br/>ARAKAWA and Madeline Gins / Yasui Architects and Engineers, Inc.<br/><br/>Gravity is a Force to be Reckoned With<br/>Iñigo Manglano-Ovalle / Bill Baker (SOM)<br/><br/>Lucerne Festival Ark Nova<br/>Anish Kapoor, Arata Isozaki / Taiyo Kogyo<br/><br/>PSAD Synthetic Desert III<br/>Doug Wheeler<br/><br/>Essay: At Hearing’s Edge: Artist Doug Wheeler Achieves a Semi-Anechoic Immersive Artwork, Synthetic Desert, with Arup’s SoundLab<br/>Walker Downey and Caroline A. Jones<br/><br/>Afterword<br/>Adam Weinberg |
